Showing posts with label Lamborghini. Show all posts
Showing posts with label Lamborghini. Show all posts

Sunday, October 21, 2012

6th Anniversary of Cars and Coffee Irvine and Marconi Open House


Cars and Coffee 10/20/2012 Pics

October 20th was the 6th Anniversary of our favorite weekly car show here in Southern California. Mother Nature didn't seem in a particularly festive mood, but the constant mist didn't seem to keep many people away - by 7 am the lot was about 80 percent full and folks kept trickling in along with the precipitation over the next hour or two.

There was no featured marque this week, but the corral was filled with a random assortment of what has made this show such a treat from the beginning. The eclectic mix included a group of Challengers, some old Jags, Cobras, GT40s, Fiat Dinos, Pontiac GTOs, a Split-Window Corvette, Porsche 356 Carrera 2, Morgan, new Camaros and more.

The Porsche row featured the usual mix of 911s, 356s and Boxster/Cayman models, highlighted by a Carrera Panamericana 356 on semi-slicks, a new 981 Boxster S and a nice 550 Spyder among others.

Walking the rest of the lot, it was more of the same random toy collection on display - Old Mustangs, some tuned Fiat 500s, Audi R8 Spyder, Maserati Bora and Merak, Lotus Cortina, BMW 2002 tii, Citroen 2CV, Datsun 1600, S15 Silvia, some classic Mercedes, a Cobra Jet Mustang drag racer, C-Max Hybrid and an RX-7 Turbo powered Mazda pickup by Racing Beat that had a 4-rotor engine in the bed and a matching license plate to advertise the cargo.

Besides the great assortment of cars, trucks and bikes, there were quite a few interesting people at the show. My buddy Bruce introduced me to a young couple who were first timers - she from Riverside and he from England. Bruce also bumped into a German reporter who was another first-timer, not knowing anyone at the show, he still managed to have a great time it seemed, enjoying the cars and making some new friends.



Marconi Museum Open House with SEMA Preview

After the show we headed over to the Marconi Museum where they were having an open house with a special display of some international customs that are headed to SEMA next weekend. It's always fun to visit the Marconi, with its great collection of Ferrari supercars, customs and F1 cars, Indy cars, vintage racers, muscle cars and assorted European exotics, but throwing in those wonderfully delightful foreign customs made it extra special.

The best part of that SEMA display was the fact that the cars looked like they could have been made right here in the States - from the Swedish '57 Chevy to the Trinidad & Tobago-born Range Rover, from the Mexican '46 Ford to the French (what else?) 2CV, it was cool to see that the hot rodding hobby knows no bounds.

Friday, October 19, 2012

Marcello Gandini Story - Part 2: The Miura

It's possibly the most widely represented car ever, queen of all car magazines. A milestone and an icon. The first supercar to many and a revolution in the streets. So how did an interior designer end up designing this as his first ever job? There's no discussion about Marcello Gandini's genius but there might be some surprises in this story. Surprises that literature hasn't disclosed yet.

Let's start from the beginning. We all know that Ferruccio Lamborghini was very determined in his vision for a car delivering the power and the thrills of a race car without the uncomfortable downsides. He hired the very best people in the market for it, Dallara for the chassis and Bizzarrini for the engine. Bizzarrini had a hard but theoretically straightforward task. “I want to be able to drive it smoothly in Bologna at 40 km/h, but give it 350 hp, ok? No racing business.” So Bizzarrini started from one of the Ferrari units he had been working on and gave Lamborghini a dry sump engine giving 380 hp. Wrong type of engine and too much power. This is the genius of Bizzarrini for you. Lamborghini didn’t find this funny, so interrupted the collaboration and set his engineers about “taming” the beast, converting it to wet sump. Dallara’s chassis was incredible and the decision of placing the engine transversely behind the driver presented huge challenges but also allowed for the cosmetic freedom that designers coveted. Ferruccio took the chassis to Turin's motor show and the reaction was immediately incredulous.
At the time Gandini was already trying hard to start a career in car designing. A friend hired him to rebody an Osca 1500 Barchetta (of which I couldn’t find further information) and since then he was lucky enough to collaborate with small coachbuilders, quite often having to commute to Milan. In his own words “at the time the famous companies like Moretti and Viotti already produced the design internally and didn’t invest in external freelances. It was hard to have a chance to become known. (...) A few years before Bertone wanted to meet me after having seen some of my drawings but we didn’t manage to find an agreement for a job. Only after Giugiaro left I managed to get the job.” Giugiaro would move to De Tomaso-owned Ghia and design the Mangusta there before leaving to found his own Italdesign in 1967. Did Giugiaro leave because Bertone wanted to hire Gandini or was Gandini hired because Giugiaro left? I don’t have sufficient evidence to support either claim. Nuccio was all the more happy to have someone to finish off the Miura and even today it is not clear what can be attributed to whom. Nuccio in an old interview stated that Gandini was quite protective with the final result and he literally intercepted the drawings going to the workshop to add or modify details without having to argue. To the day Gandini never helped solving the mystery once and for all but said once: “the Miura was very much like a Giugiaro car in some detail, its lines were quite soft and it had similarities to cars he had done previously – the Maserati Ghibli, De Tomaso Mangusta and Iso Grifo. But what shows my stamp, I feel, is the effort to make the car into an integrated shape, not just a top and a bottom, as so many cars of the time had. The side-scoops, in particular, were intended to give the car a kind of global shape.”
In these sketches of the development it's very easy to distinguish the two hands at work. In the early ones hints of the showcar Testudo give way to ISO details, and all this will be considered but left aside in the last, final Gandini proposal. According to one of Bertone's secretaries at the time (thanks to Emanuele Vanzetti for the first hand info) the team at Bertone was very close, as you would expect from a relatively small Italian company in the mid sixties. Giugiaro's sudden departure and Gandini's subsequent arrival was not painless and Gandini’s quiet and guarded demeanour in the office certainly didn't help. Furthermore, Nuccio was known for his desire to have a hands-on involvement in developments, just as much as Gandini was known for wanting to be independent in the process. One way or another, as soon as the new buildings in Caprie became available Gandini successfully requested to have his team transferred there, possibly denying any chance for him to replace Giorgetto in the heart of Bertone's team.
The Miura approached the automotive world with all the power and blast that you would expect from the breed of bull that it took its name from. But there is also the line that gracefully lowers just before the windscreen and raises towards the canopy with godly proportions. The elegant lateral air intakes that wrap and underline the side windows cleverly disguising the door handles. The same intakes that quote the horns of a raging bull when both doors are open. Campagnolo’s iconic magnesium alloys the center-piece in the sinuous lines of the front arches while the rear end with the signature six black louvers wraps the engine and transmission tightly. Too tightly in fact, as it would transpired the night before the official presentation.
Meeting the deadline in time for the 1966 Geneva Motor show was proving a huge task for Lamborghini, as was the case for Bertone. One of Nuccio’s secretaries remembers being up way into the night hand stitching the seats. Even worse, when they finally got to the point of mounting the engine it just didn’t fit. In order to make it in time at the motor show they had to resolve in applying a ballast in place of the propulsor and bolt the bonnet to avoid the avid press trying to sneak an impudent shot. Needless to say all went well, the project called P400 (Posteriore, 4 litres) was named Miura and the Lamborghini badge that we know today appeared for the first time. 764 would be produced between 1966 and 1972.
Two stars were born. The Lamborghini Miura and Marcello Gandini.
Have you read Marcello Gandini Story - Part 1 yet? Click HERE to be redirected.

Many thanks to stratosmania.com, rollingarts.wordpress.com and autodesign.socialblog.us for some interesting interviews and articles. Thanks anso to Emanuele Vanzetti, Tom Sherriff and D.S. for the invaluable help and support.

Sunday, April 8, 2012

Cars & Coffee 4/7/12 - Porsche Tribute


Click here for full gallery

Coming a couple of days after the death of Ferdinand A. Porsche, the turnout of great Porsches was to be expected, but after looking at 911s for decades and not seeing much beyond a Beetle on steroids, seeing so many generations of them together made the differences more obvious.

Check out the tails alone and you'll see a huge variety of aero treatments from clean, to ducktail, whale tail, GT, fixed, variable, etc. You'll also see labels ranging from a simple 911, to 911S, 911E, 911T, Turbo, Turbo S, Turbo Carrera, Carrera, Carrera S, Carrera RS, GT3, GT2, GT3 RS, GT2 RS, 2.4, 2.7 and on and on.

Besides the Abarth that was justifiably mobbed all morning, the other non-911 highlight was a low-slung blue jewel wearing a license plate that read "BUTZI S," Ferdinand's nickname. This was the 904 prototype that belonged to Butzi himself. We've seen it countless times at Cars & Coffee and its predecessor, Crystal Cove, but today it held much more significance.

Other highlights of the day might have stolen the show on any other weekend - the Dino gathering that included half a dozen 206/246 models, the Dino convertible showcar that would become the Fiat Dino, and a few 308GT4s as well, a Mercedes-Benz 190E 2.5-16 Evo II, Mercedes SLR Roadster, Luigi,  Isetta 600, Subaru BRZ, Spyker C8, Vector Avtech WX-3R, Lotus Elite racecar, Italias, Scuds, Stradales, Gallardos, a Countach, Dan Gurney, Reeves Callaway, and more. Check out the gallery for the rest.

Sunday, February 12, 2012

Cars & Coffee - 2/11/12



Who would have thought that such a rainy morning would have produced one of the best shows of the year so far? It certainly didn't hurt that it was Jaguar day, so the featured lot was packed to the gills with E-Types, XKs, XJs, S-Types, and the like. Nor did it hurt that the local Lamborghini dealer had planned a get-together that brought a dozen Gallardos, a Murci or two and a pair of Aventadors. Throw in a mini-reunion of RX-7s and the usual die-hards and the show lot was full before you knew it.

Particularly fun sightings included the black Carrera GT, the special CTS-V Wagon, the old Land Rover and Land Cruiser, the '51 Mercury, Vector, Audi R8 GT, VW Golf R, "Sea Shephard" Rossion, Vintage Morgan racer, Aston Martin Lagonda, Kellison recreation, another Bruce Meyers hot rod, Audi Sport Quattro, and that Sears catalog Allstate Motorcycle.

Of course, it wasn't all good. I guess I'm just too old to appreciate the whole VIP/hella flush Asian car phenomenon. The odd suspension geometry and stretched tires just make me cringe. Like donks, bouncing low-riders and street-bound Trophy trucks - they are more for show than go it seems, totally impractical for the street and an enormous misuse of valuable resources in my book. Like the Rich Evans Mustang and the accompanying spray-on-bed-liner-painted Range Rover, beauty is definitely in the eye of the beholder, but as they say, variety is the spice of life and to each his own.

Saturday, October 22, 2011

Cars & Coffee - 10/22/11: Ferrari Day



Absolutely amazing gathering of Enzo's finest today. From new Italias, 430s, 360s, 355s, Maranellos, Stradales, Scuds and a new 599 SA, to classics like the SWB, TdF, Mondial and Mexico, it was one of the best shows ever. Tillack alone brought half a dozen of the coolest cars ever to show at C&C - Niki Lauda's F1 car, a Scuderia Ferrari Lancia D-50 made from spare parts, a 250 GT Speciale, gorgeous blue and white Vignale bodied 340 Mexico, Superfast and 500 Mondial/Testa Rossa.

Of course, there was also a line that included two 275 GTBs, an SWB, TdF, Lusso, Daytonas and a stunning 250 GT Pininfarina Europa Coupe. And if you're not much of a Ferrari fan (you probably stopped reading by now anyhow), there was a nice line of Porsches, a Lexus LFA, Fiat 600 Multipla, old school 1970 Subaru microvan with wheelie bars, shag carpet and a velour dash, an Aventador and two, yes two, McLaren MP4-12Cs. One in black and one in a ruby red that really showed off the car's shape well. It's amazing how compact and low in the chassis that V8 is!

Absolutely the best thing from the whole show for me, though, was the shifter in Niki Lauda's 312 B3. The classic Ferrari gated shifter, just in miniature. It looked like the keychain version of the polished gate but had a full size shift knob to go with it, which made it almost comical. We envisioned it being used with your thumb kind of like an early joystick. Love it.

Saturday, August 6, 2011

Cars & Coffee – 8/6/11: Kenny from the Block


Yes, Ken Block was back at C&C today, with a whole film crew in tow, apparently shooting a series of video clips that will take them from the show to a meetup with a certain BMX racer also sponsored by Monster, to lunch, for a cruise down PCH and on to the DC store. A glance at the script had Ken using the SYNC system in his Ford, so it's quite possible we may be seeing some of this footage in a Ford ad too.

The car that Block brought this time wasn't his personal Focus RS street car, but rather his X Games-fresh Ford Fiesta RS WRC Rally, Gymkhana And RallyCross Car. The thing looks like a remote control car that's been scaled up. There is hardly anything inside it that won't contribute to gathering, managing or scrubbing speed. Block calls it his "hybrid function hoon vehicle."

According to a recent write-up on ZerCustoms, it is powered by a 2.0-liter turbo Ecoboost engine built by Pipo Moteur, which develops 600 hp and 665 lb-ft of torque. The engine sends its power to all four wheels via a Sadev 6-speed sequential transmission and an all-wheel-drive system developed by the same manufacturer. Ken's H.F.H.V. Fiesta weighs 2755 lbs and comes equipped with 355 mm Brembo WRC brake discs and 4-piston calipers, a Reiger WRC suspension system, a Cosworth engine management, a custom-built Garrett turbocharger with a 45 mm restrictor, and a dual-core intercooler.

This very special Fiesta rally car sits on 17-inch Speedline wheels with Pirelli P-Zero rallycross tires, when set for this type of racing, while Ken sits on a Recaro Ultima seat. When Ken uses his new Ford Fiesta WRC for Gymkhana, he has to adjust the dampers, spring rates and height, and put a set of 18-inch Fifteen52 tarmac wheels with Pirelli Trofeo tires. The Fiesta also gets shorter gear ratios
and an adjusted engine management map.

For stage rally, the new Fiesta WRC needs a new suspension and engine management setup, 15-inch O.Z. gravel wheels with P-Zero rally tires, 300 mm brake discs and real, functional headlights. They also have to move its radiators from the trunk to the front and to cover the side air vents.

It's really a clever design, and looks like it would be a hoot to drive. Honestly, letting Block take us for a ride would probably be even better.

While the Fiesta got the most attention, those who wandered beyond it got to see three different Lancias, a Fiat Multipla, a lightweight E-Type racer, a black Carrera GT, a Datsun 510 Wagon, Porsche 550 Spyder, some great looking BMW 3.0 CS coupes and a super widebody Camaro. Well, maybe that last ne was worth missing. Follow the link above to see the whole gallery.

Sunday, July 31, 2011

Supercar Sunday - 7/31/11: Ferrari v Lamborghini upstaged by Zonda R


Lured by the Ferrari v Lamborghini showdown planned for this last Sunday in July, I decided it had been way too long since I had made the drive up to Woodland Hills for Supercar Sunday and got my butt outta bed for the first time in almost a year. It was a wise decision.

Not only did I get to see about 1,000 interesting collector cars on display, I also had a chance to catch up with at least a dozen friends I hadn't seen in a long time. That alone made the trip worthwhile, but the surprise unveiling of a Pagani Zonda R made it incredibly fortunate.

The Pagani Zonda needs little introduction, but these amazing boutique supercars are extremely rare here in the States. Never officially imported, a couple have found their way into private collections, and a few have been displayed at various shows and races around the country. I consider myself lucky indeed to have seen a handful of them between SEMA, SCS and Goodwood, the impression they leave in person akin to meeting Lewis Hamilton or Michael Schumacher - that sudden thrill you get from realizing you are in the presence of a legend.

Auto Gallery, who generously underwrites SCS, has been named an official Pagani dealer, allowing it the privilege to sell the Zonda's replacement, the Huayra when it goes on sale soon. As if seeing a Zonda isn't enough to make friends who weren't there hate your guts, the Zonda they helped bring to the show this weekend was actually a Zonda R, the race version that holds the lap record at the Nurburgring Nordschleife for production based cars. Its 6:47.5 time bested the Ferrari 599XX by eleven seconds and the new production car record holder the Porsche GT2 RS by...wait for it...thirty seconds.

Horacio only built a few of these race cars so not everyone will get to see one in their lifetime. Without DrivenWorld publisher and SCS organizer, Dustin Troyan, I may have missed my chance. Dusty's hard work, along with the generosity of the car's owner, Auto Gallery and Century Towing allowed me to cross another vehicle off my bucket list.

Seeing the car up close reveals why Pagani has such an aura about it. The shape is alien yet beautiful and the engineering prowess of the company is immediately evident. The carbon fiber is laid perfectly, and close inspection reveals the titanium threads woven into the cloth to add flexibility to this normally brittle substance. Every detail is not only functional, but designed in such a way that you feel there must be some artists in the engineering department. Why can't every carmaker make their vehicles this beautiful and capable?

If you click the link above to view the gallery, you'll notice that at least half of my photos are of the Zonda R, but pry yourself away from those and you'll also see why shows like Supercar Sunday are so much fun. How's this for eclectic? When was the last time you saw a Toyota Crown Deluxe coupe? Never? How about a Kurtis Kraft 500? There were at least three there today. A Ram Air GTO Judge wagon? Maybe not factory, but a really cool sight. Other rare and wonderful sightings included a Renault R5 Turbo, Ford RS200, '73 Carrera RS, Continental Mark II, Morgan Aero, Hurst Camaro, Maserati 3500GT, Riley Elf, two yellow Ultimas, three BMW Z8s, Qvale Mangusta, and a few Lamborghinis and Ferraris.

The marque of the Bull was represented by dozens of Gallardo variations, a few Murcis, a pair of Miuras and a handful of Countaches. Prancing horse lovers were treated to scores of 3X8s, Maranellos, 355s, Modenas, 430s, 458s, Stradales, Scuderias, and Testarossas. Favorites included the 330 GTS, 550 Barchetta, 575 Superamerica, and a lone F40. Not a bad turnout by any stretch of the imagination, but overcast skies and a few scattered showers may have kept some of the even more exotic stuff at home. We're not greedy though, so an F40, two Miuras and a Zonda R were just fine with me.